The World of Piet Mondriaan, Mondriaanhuis Amersfoort

Designed by: Tinker imagineers
For client: Mondriaanhuis Amersfoort Floor area: 280.00 M² Year of completion: 2017

Mondriaanhuis 01 G
© Mike Bink

New York installation - The visitor is immersed and involved in the artistic quest in Mondrian’s New York period. Mondrian went through a theosophical evolution, from reality via dreams to spiritualisation.

About the Project

The Mondriaanhuis in Amersfoort was renovated to coincide with the 100th anniversary of De Stijl art movement. Tinker imagineers created and produced the multimedia concept of the museum - including two video installations - and a new interior design. Visitors follow Mondrian, pioneer of abstract art, on a journey along the cradles of his unique art.

The challenging premise was that most of the original works are in museums all over the world. The new display tells Mondrian’s life story through multimedia - modern, immersive and unique in the world in a way that is suitable for a broad and international audience.

The designers started the visitor journey with a video installation of Mondrian’s oeuvre. An audio-visual story takes the visitors from the artist's early landscapes and colourful seascapes to the abstract world that propelled him to fame. The imagery is accompanied by the contemporary music that he liked, from Ravel to jazz, from Stravinsky to boogie-woogie.

The second installation is about Mondrian’s last years, which he spent in New York. In this vibrating city he made a fresh start: he got rid of the black lines and explored new spaces in his work. He discovered that lines are planes in themselves and focused on movement. The American influence becomes clearer: boogie-woogie music, Disney films, and the city that never sleeps. Visitors enter Mondrian’s dream world, in which his work, the city, and his favourite music all melt together into one audio-visual immersive spectacle.

What’s unique about it

The multimedia concept represents a new approach to the use of film or video in museums. The carriers are part of the story themselves. In Works - the first installation - the video is projected onto a frame of lines and planes that in itself is exemplary of Mondrian’s work. When visitors enter the New York room - the second installation - they see a semitransparent cube with an illuminated frame. The cube represents the most abstract form of Mondrian’s studio, but this special carrier is also showing his inner and outer world, switching seamlessly between the two.

Eventually, the New York film leaves the canvas, enveloping the visitors and the room in an all-over immersive installation. To follow in the footsteps of the master, visitors get to visit his dreams. They see flashes from the world outside: brief, distorted, subjective and finally liberating. The squares are elongated into lines, run over the visitors, slide up the walls. The rhythmic interplay of forms takes over the entire room until the whole room is turned into a swinging and dancing field of squares, of which the visitors quite literally become a part of it! "Balance! Liberation! I’ve arrived," Mondrian would say.

To improve access to Europe’s heritage these two video-installations tell the story of Mondrian in pictures and music – two universal languages. They are unique, artistic creations that fit in with current times and at the same time do justice to history and the authentic body of thought of the master himself.

Mondriaanhuis 05 G
© Mike Bink

The Works video installation takes things a step further and brings the canvases to life. In a five-minute show, visitors witness the painter’s artistic development, from realist landscapes via ‘luminist’ scenes to his abstract compositions.

Mondriaanhuis 06
© Mike Bink

The frame (the carrier) is the empty white canvas, made up of black-rimmed planes that refer to the layered structure of his abstract work. The Works presents an extensive selection of his paintings, in chronological order and with high resolution.

Mondriaanhuis 35
© Mike Bink

Sometimes the camera zooms in, while we follow Mondrian in his search. Longer lines of development are alternated with small revolutions.

Mondriaanhuis 08 G
© Mike Bink

New York installation - Mondrian was fascinated by jazz and boogie woogie.

Mondriaanhuis 79
© Mike Bink

New York installation - Like light through the cracks of an old wall, fragments from the outside world enter the artist’s imagination - neon lights, music, dance, soldiers.

Mondriaanhuis 70
© Mike Bink

New York installation - Slowly but surely, the lines and planes start to leave the frame.

Mondriaanhuis 05
© Mike Bink

New York installation - When they are mostly coloured lines left, these lines start gliding to the front of the cube, leaving the cube, entering the room... They are moving towards the visitors.

Mondriaanhuis 91
© Mike Bink

Eventually, the New York film leaves the canvas, enveloping the visitors and the room in an all-over immersive installation.

Mondriaanhuis 100
© Mike Bink

The renovation of the interior was based on the concept of an empty canvas. When entering the Mondriaanhuis, you experience a white, bright space. Along the route through the museum, the canvas of his life is gradually filled in.

Follow in the footsteps of Piet Mondrian along the cradles of his unique art and look through the eyes of the man who kept reinventing himself and his work.

Location of project:
Tinker imagineers

Ham, Post & Van Huystee


Ata Tech

Are you sure?

Remember that you can only vote once per award category.